fathergll Thanks
Yes, but no longer in Mistika, I am manually adjusting each eye in premiere since it's fisheye and the passthrough scenes are in fisheye mode, I just take some fisheye footage from my R5C and adjust each eye individually when I key in my own custom backgrounds on their passthrough scenes. It's not a perfect match but I have it pretty close now, with a little fisheye curvature on the far edges, which I dont personally mind because I'm never looking at the far edges anyways, even though I am using a pimax headset. I still have some tweaking to do, my computers comes to a stop when I try to edit this live using the live preview on premiere, i just dont have enough ram I think for all this and my CPU starts crying haha
My best passthrough experience has been taking some of my old k2 pro footage I still have and simply keying that as the background for their passthrough scenes shot on a k2 pro as well. Unfortunately I no longer have my k2 pro since I upgraded to the canon system, so I dont necessarily have much footage that will work as a background, never really expected to be doing this at this point when i still owned it haha But for the couple of shots I still have that actually work out as backgrounds, one of my bed and the other of my living room floor, they look incredible. I even took a little bit of time to adjust colors and exposure to try and "match" them a little more while also cleaning up the greenscreen spill a little more, and they look incredible because my custom background is the same resolution as the passthrough scene haha