- Edited
Bucket619 Thanks for the reference! I hadn't seen that one.
There are a few ways to tackle it, from precise control of framing/blocking (so the performer doesn't cross over where her double will be) then using a simple matte to combine the two takes, all the way to using greenscreen/difference mattes/other keying tools to layer them. But it's not just about separating them in the frame, you also have to consider depth. If you use a mask to key out one and place them over the other, the effect will break your brain if they're located in the same slice of depth from the lens, or if the one keyed behind the other is actually closer to the lens. Your eyes and your brain will disagree on what's happening and it's deeply unpleasant.
It's a lot to control for, but the challenge sounds like a blast.
Also, check out from around 3:00-3:30 here (and some transitions/effects later in the edit): https://www.sexlikereal.com/scenes/the-future-is-beautiful-a-vr-pmv-29044
I played with the idea of layering/double exposures in this project, but it was achieved with simple blending modes because I wanted to lean into the hologram effect of seeing through the performers.